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在90年代的文学格局中,“大厂文学”值得关注。国有大厂在激烈的市场竞争中一直走不出低谷的无奈,下岗职工在求生存的搏斗中的叹息,厂长、经理在求生存的挣扎中的苦衷与手腕,都在谈歌的《大厂》、李佩甫的《学习微笑》之类作品中得到了笔力凝重的刻画。最近,湖北作家蒋杏的长篇小说《走进夏天》(长江文艺出版社1999年版)进一步写出了“大厂文学”的新天地。小说以纪南纺织总厂代理厂长章秋在困境中左冲右突,上下求索,最终都无力回天的故事为线索,上到市委领导,下至普通工人,多角度、多层面地刻画了一群令
In the literary pattern of the 1990s, “Dachang Literature” deserved attention. State-owned big manufacturers in the fierce market competition has been unable to get out of the trough of helplessness, laid-off workers in the fight for survival of the sigh, director, manager struggle for survival in the struggle and wrist, are talking song “big Factory ”, Li Peifu’s“ learning to smile ”and other works have been diligent portrayed. Recently, Hubei writer Jiang Xing’s novel “Into Summer” (Changjiang Literature and Art Publishing House, 1999 edition) further wrote a new world of “Dachang Literature.” Novel to Ji Nan Acting Factory Director Zhang autumn in the plight of left and right, from top to bottom search, ultimately unable to return to the story as a clue, on the leadership of the municipal Party committee, down to ordinary workers, multi-angle, multi-faceted portrayal A bunch of orders