在一切都成为消费和“娱乐至死”的全球化语境里,我们该如何进行写作?当我们的思想被主流话语再一次集体“征用”的时候,我们该如何处理词与物的关系?当诗歌的思想启蒙和革命运动被各种文化资本支撑的各种名目的诗歌活动(甚至县城乡镇举办的诗歌活动动不动就用“华语”、“世界”、 How can we write when everything is becoming a consumer and “amusement-to-death” globalization context? How can we deal with words and expressions when our thinking is once again collectively “expropriated” by mainstream discourse? Relationships between Poetry and Poetry When poetry enlightenment and revolutionary movements are supported by a variety of cultural capital under various prestigious poetry activities (even poetry activities organized by towns, towns and villages in the county use “Chinese”, “world”