很有幸前后两次走进剧场欣赏了西藏原生态舞剧《香巴拉》,每一次欣赏《香巴拉》都有一种不同的体会,并且深深地被感染着。从舞者到编导,万玛尖措的舞蹈作品家喻户晓,而《香巴拉》绝非以往学院派民族民间舞蹈的风范,用万玛尖措自己的话说:“是在用一种舞台的方式把自己对家乡、对民族文化和宗教信仰的理解通过舞蹈来呈现。”《香巴拉》带给观众的不仅是一种对民族文化的体验,更是在于传达给人们对世间万物生命的一种感悟。如果说《香巴拉》是万玛尖措在民族信仰上的一次转山之行,那么这部转山之作可以视为用舞蹈方式来感悟生命的视觉盛宴。和谐、平静、祥和、静谧、沉稳是整部舞剧的色调,在《香巴拉》的节目单上没有过多的文字介绍剧情梗概,只将剧作中“香巴拉”、“天葬”、“坛城”三个关键词加以解释,留给观众无限的想象空间;舞台上没有华美的装饰,只是把舞台的地面铺成蓝色的地 Fortunate enough to walk into the theater twice before and after enjoying the Tibetan original ballet “Shambhala”, each time enjoying “Shambhala” has a different experience, and deeply infected. From dancers to choreographers, Wan Ma’s cursive choreography is widely known, and “Shambhala” is by no means a demeanor of traditional ethnological folk dancing by academics. In his own words, “We are using a stage Way of presenting themselves to their hometown and their understanding of ethnic cultures and religious beliefs through dance. ”“ Shambhala brings audiences not only an experience of national culture, but also an expression of life to all people in the world A feeling. If ”Shambhala“ is a horse-riding measure in the ethnic belief in a mountain trip, then this turn for the mountain can be seen as a way to perceive the visual feast of life. Harmonious, calm, peaceful, quiet and calm are the colors of the whole dance drama. There is not too much text on the program of ”Shambhala“ to introduce the outline of the plot. Only the drama ”Shambhala“, ” Celestial burial “, ” mandala "to explain the three key words, leaving the audience unlimited imagination; there is no gorgeous decoration stage, just the stage paved blue ground