民国时期,有着“十里洋场”之称的上海可谓是亚洲唯一的世界金融中心。经济的发达使各类人群纷纷涌入上海,包括文人士子、商人、官僚和画家。其艺术市场也随之兴起,并以自身的特殊性,呈现出异常繁荣的景象,形成了独具特色的海派艺术。而活跃在此时的女性画家也不甘示弱,积极参与市场。她们走出闺阁,出现在公共场合,参加展览画会,甚至留洋学画。由此涌现出一批名噪一时的女画家,如陈小翠、庞左玉、吴青 During the period of the Republic of China, Shanghai, with its reputation as “the only one in the world”, was the only financial center in Asia. Economic development has brought all kinds of people into Shanghai, including literati, businessmen, bureaucrats and painters. Its art market also arises, and with its own particularity, presents an unusually prosperous scene, forming a unique Shanghai art. Female painters who are active at this time are also outdone and actively participate in the market. They walk out of boudoir, appear in public places, participate in exhibitions, and even learn to study abroad. This led to the emergence of a group of well-known female painters, such as Chen Xiaocui, Pang Zuoyu, Wu Qing