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我国古典园林名胜中的建筑,常用匾额、楹联作装饰,虽是附属品,但对风景艺术来说,也起一定的美化作用。《红楼梦》中说:“偌大景致,若干亭榭,无字标题,也觉寥落无趣,任是花柳山水,也断不能生色。”这正是园林名胜所以用匾额来美化的原因所在。由于园林名胜是自然山水的再现,以诗写景,借景抒情,匾额更能画龙点睛,有助于游人领会园林艺术。北京颐和园的“知春亭”题额取于苏东坡“春江水暖鸭先知”,从而加深了意境,能引起人们诗意的联想。
The buildings in the classical gardens of China are often decorated with plaques and ribbons. Although they are accessories, they also play a role in beautifying landscape art. “Dream of Red Mansions,” said: “Big view, a number of pavilions, no title, but also feel depraved, boring, Ren is to spend Liushui, but also can not be color.” This is the reason why the garden is so beautiful to use embellishment. Because the garden landscape is a reproduction of natural landscapes, the poems can be used to describe the scenery, and the scenery can be etched with emotion. The “Zhichun Pavilion” title of the Beijing Summer Palace was taken from Su Dongpo’s “Spring Plum Plumbing Prophet”, which deepened the artistic conception and caused poetic associations.