蒙古族长调民歌从劳动人民的生活中走来,从自娱自乐中走来,从草原、大山、牧场中走来,是社会文化发展的产物。这一艺术现象表明我国各民族的民歌不是一种或几种艺术流派独占鳌头,我们的民族艺术应该呈现多层次多领域的、真正百花齐放、百家争鸣的繁荣景象。文章主要阐述蒙古族长调民歌的传承和发展,力图站在丰富民族文化、保护历史遗产的高度,去探讨如何进一步发展蒙古族长调民歌。 Mongolian chief tune folk songs come from the working people’s life, from entertain themselves, come from the grasslands, mountains, pastures, is a product of social and cultural development. This artistic phenomenon shows that the folk songs of all ethnic groups in China are not one or more of the schools of art. Our ethnic arts should show a prosperous scene of multi-level and multi-fields with truly flourishing and a hundred schools of thought contending. The article mainly elaborates the inheritance and development of Mongolian chief tune folk songs, tries hard to stand on enriching national culture and protecting the historical heritage, and discusses how to further develop Mongolian folk songs.