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随着印度佛教传入中国,佛教艺术直接影响了西域及中原地区美术风格的嬗变。以“天竺遗法”,即“凹凸画法”为代表的外来绘画体系,对中国本土原有的以线造型、色彩平涂的绘画观念带来了巨大的冲击。在与中原传统绘画相互结合,融为一体的同时,形成了新的具有本土民族特色的绘画风格,对中国绘画的发展起到了重要的积极作用,产生了深远的影响。
With the introduction of Indian Buddhism into China, the Buddhist art has directly affected the evolution of the art style in the Western and Central Plains regions. The external painting system represented by “Tianzhu Legacies”, that is, “bump painting”, has had a huge impact on the original Chinese painting concept of line modeling and color painting. While being integrated with the traditional painting in the Central Plains, a new painting style with local ethnic characteristics has been formed, which has played an important and positive role in the development of Chinese painting and has had a profound impact.