近三十年是中国社会的重要转折期,中国水墨人物画的造型语言也开始从传统转向现代,尤其是在东西方文化交流的背景下,一大批中青年人物画家在继承传统的基础上,又吸收了西方艺术的精华,迎来了前所未有的发展。他们有的借鉴传统的造型语言,有的从民间绘画中提取精华,而大多数艺术家却是努力把中西方的造型语言融合在一起,从而形成了具有鲜明中国特色的 Nearly three decades is an important turning point in Chinese society. The stylistic language of Chinese ink-and-wash paintings has also begun to turn from tradition to modernity. Especially in the context of cultural exchanges between East and West, a large number of young and middle-aged painters have inherited the tradition, But also absorbed the essence of Western art, ushered in an unprecedented development. Some of them draw on the traditional stylistic language, others extract the essence from folk painting, while most artists strive to blend the stylistic language of China and the West to form a distinctive Chinese style