言为心声,人物语言是其内心世界的流露。在戏剧文学中人物的刻画、精节的开展、主题的表现……都是依靠人物台词来实现的。大文豪高尔基在《论剧本》中指出:“剧中人物之被创造出来,仅仅是依靠他们的台词,即纯粹的口语,而不是叙述的语言。”字词的音相同或相近产生的谐音,在戏剧人物“台词”中巧用,往往含蓄隽永,耐人咀嚼,发人深思,给人留下不尽的余味。语言大师老舍的话剧《茶馆》里有这么一段对白—— Words are the voices, character language is the expression of its inner world. In the dramatic literature, the portrayal of characters, the development of refined festivals, and the expression of themes... all rely on characters’ lines to achieve them. The great writer Gorky pointed out in “On the Script”: “The characters in the play were created by relying only on their lines, that is, pure spoken language, not the language of the narrative.” The homophonic sounds of the same or similar sounds of the words, The clever use of theatrical characters in the “lines” is often subtle, timeless, chewable and thought-provoking, leaving an endless aftertaste. There is such a dialogue between the language master Lao She’s play Tea House -