陈子龙的乐府诗反映出其诗歌创作从复古到求变的过程。他存世的三卷古乐府大多创作于崇祯十年之前,有一部分完全模仿古乐府,还有一部分借古题予以创新。陈子龙对新乐府的认识相当成熟,入仕后所作的六首新乐府与当时的政治、经济、社会状况紧密结合,在创新中又继承了古人的精髓,最终形成一套属于自己的乐府诗学风格。 Chenzi Long’s Yuefu poems reflect the process of his poetry creation from the ancient to the changing. Most of the three volumes of his ancient survivals were created in Chongzhen ten years ago, some completely imitating the ancient Yuefu, and some were borrowed to innovate. Chen Zilong’s understanding of the new Yuefu is quite mature. Six new Yuefu made after his official career were closely integrated with the political, economic and social conditions at that time. In his innovation, he inherited the essence of the ancients and eventually formed his own Yuefu poetics style.