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序言进入中国的戏剧领域,人们往往习惯于把目光聚焦于话剧、戏曲以及近几年来引以为盛事的傩戏、目连戏等样式。其实,自古至今在中国西南少数民族地区还存在着一个古朴、久远而又独具风格的始原戏剧群,如拟兽型始原戏剧等。然而,这些始原戏剧现象一直未受重视,甚至被排斥于戏剧视野之外,当然谈不上对它们进行客观的评价和研究了。本人近年来走访学者和群众、查阅书刊资料,以主要的精力对少数民族拟兽型始原戏剧进行了初步考察,并对它们进行归类研究,重新审视,终于证实了在中国(尤其是西南地区)存在着拟兽戏剧群落。这不仅可以填补中国戏剧史上的一个空白,而且通过拟兽戏剧的研究,还可以揭示出中国戏剧的早期形态;既探索戏曲艺术的源头,又考察蚩尤戏、傩戏的原始面貌。本文即是作为第一步的思考成果而奉献给大家的。
Preamble Into the field of drama in China, people are often accustomed to focus their attention on drama, drama, and in recent years cited as the nirvana, project and even the style. In fact, since ancient times in China’s southwestern minority areas there is still a primitive, long and unique style of the original drama group, such as the original beast type original drama. However, these primitive drama phenomena have not been valued or even excluded from the field of drama. Of course, they can not be objectively evaluated and studied. In recent years, I have visited scholars and the masses, consulted books and materials, conducted a preliminary study on the original drama of the beast-shaped original ethnic minorities, and conducted a classification study and reexamination of them. I finally confirmed that in China (especially the southwestern region There is a canonical drama community. This not only can fill a gap in the history of Chinese drama, but also can reveal the early form of Chinese drama through the study of the beast-dramaturgy. It not only explores the origin of opera art but also examines the original features of the drama and the opera. This article is dedicated to everyone as a first step in thinking.