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绘画是一门空间视觉艺术,在创作的过程中自然离不开观看。而从艺术哲学的深度来看,绘画是人对外在世界的一种独特的占有和再现,是外在物象在人脑中的反映并投射到画布上的自觉过程。因而,绘画是一个主客体之间的对象化与非对象化的过程。而观看,是绘画艺术的起点,任何构思也都必须要在对客体的观看基础上进行可视化、结构化的转换。因此,观看方式一定程度上决定了绘画艺术创作的方向和理念位移。艺术与科学是人类两大思维方式,彼此联系但更多的是区别,前者审美,后者求真。而在现代社会文化交融的背景下,科学与艺术逐步走向趋同,各自的逻辑和价值取向去审视仅属于各自领域的对象。本文就在这一时代背景下阐述科学对于绘画观看方式以及创作理念的影响,重点从画家观看和思考来论述。
Painting is a visual art of space, which can not be separated from view in the process of creation. From the perspective of philosophy of art, painting is a unique possession and reproduction of people in the outside world. It is a conscious process in which external objects are reflected in the human brain and projected onto the canvas. Therefore, painting is a process of objectification and non-objectification between the subject and the object. While watching is the starting point of the art of painting, any idea must also be visualized and structured conversion based on the viewing of the object. Therefore, the way of viewing determines to a certain extent the direction of the creation of painting art and the displacement of ideas. Art and science are the two major ways of thinking of mankind, but they are more connected with each other, but the former is aesthetic and the latter is truth. In the context of the cultural blending of modern society, science and art gradually converge. Their respective logic and value orientation examine the objects that belong only to their respective fields. This article elaborates the influence of science on the way of painting and the idea of creation in the background of this era, focusing on the artist’s observation and reflection.