中国人物画的发展不断走向成熟,历经时代的变迁,虽从表现题材到艺术手法及艺术风格上不断地发生着变革,但围绕着“形”与“神”的探讨从未停止。历代中国画家对“写形”及“传神”的界定也都有其鲜明的时代特色和艺术审美追求。时至今日,继续完善“以形写神,形神兼备”的中国画造型观,推崇“气韵生动”的传神品格对我国的中国画的理论发展有着重大意义。 The development of Chinese figure painting continues to mature. After the change of the times, the reform of the theme of art and the style of art constantly takes place. However, the discussion around the “” and the “God” has never stopped . In the past, Chinese painters also had their distinctive characteristics of the times and aesthetic pursuit of art in their writing of “writing” and “expressiveness.” Nowadays, it is of great significance to continue to improve the traditional Chinese painting concept of “depicting God, both form and spirit” and respected the vivid character of “vivid style” to the theoretical development of Chinese painting.