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巴洛克时期最伟大的音乐家之一非亨德尔莫属,他一生创作了许多优秀的作品,其中《弥赛亚》为巴洛克时期亨德尔的经典之作,现已盛行两百多年。文章通过搜集《弥赛亚》的相关文献以及音乐资料的基础上结合了《弥赛亚》的创作背景,并以多首女高音、男中音咏叹调为落脚点,由浅入深,从整体到局部的多首女高音、男中音咏叹调进行了深入的分析和研究。同时,还提出了对《弥赛亚》曲目中咏叹调的演唱提出以理论性的指导,从而为提高演唱该曲目演唱者的音乐水平、音乐修养等方面发挥积极作用。
He is one of the greatest Baroque musicians of non-Handell. He has created many excellent works throughout his life. Among them, “Messiah” is the classic work of Handel in the Baroque period, which has been in existence for more than 200 years. By collecting the relevant documents of the “Messiah” and the music materials, the article combines the creative background of “Messiah” with the first soprano and baritone airsses as the ending point, from shallow to deep and from the whole to Local first soprano, baritone aria conducted in-depth analysis and research. At the same time, it also puts forward the theoretical guidance on the singing of aria in the “Messiah” repertoire, so as to play an active role in raising the musical level and music cultivation of the singer.