作为上海人是不愿意说上影厂的坏话的,上海电影厂有『三名』(名牌厂、名牌导演、名演员)、『三多』(上海人作为基本观众多、宣传阵地多,对外界吸收信息多。)的优势,为什么这些优势不能发挥出来呢?固然,体制上有问题,『庙大和尚多』已到了老大多打翻船的地步,上影厂以老大自居,要批评上影厂也难,如谢晋的戏,在『以情动人』的导演手法上得到升华,拨动着观众的心弦,《高山下的花环》、《牧马人》、 As Shanghai people are reluctant to say the bad things about the studio, the Shanghai Film Studio has “three” (brand-name factories, brand-name directors, famous actors), “three more” (Shanghai people as basic viewers, publicity positions and more The outside world to absorb more information.) The advantages of why these advantages can not be played out? Of course, there are institutional problems, “temple monks and more” has reached the point where the boss hit the fold, the studio to the boss itself, to criticize the film Plants such as Xie Jin’s drama have also been sublimated in the directorial approach of “moving people with emotion,” which has drawn the audience’s heartstrings, “wreaths under the mountains,” “Wrangler,” "