当下对早期上海流行音乐的过度想象与简单化、误解源自缺乏对早期流行音乐历史的深入认识,没有理解上海早期流行音乐的现实背景与人文关怀,从而把早期流行音乐不加区分地理解为靡靡之音。本文试图通过描述早期流行音乐中的“小妹妹——新女性——弹性女郎”形象的演进,探索其深层的人文追求与现实关怀,并探明其演进的历史原因。 The current over-imagination and simplification of early Shanghai pop music originated from the lack of a deep understanding of the history of early pop music, the lack of understanding of the realistic background and humane care of early Shanghai pop music, and the unobtrusive understanding of early pop music as Disappointing sound. This article attempts to explore the deep humane pursuit and realistic concern through the evolution of the images of “little sister-new woman-elastic girl” in early pop music and to find out the historical reasons for its evolution.