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所谓《诗经》学诗学观,是特指王夫之在治《诗经》时所运用和总结出的诗歌理论。他以哲学家的思致、思想家的目光、文学家的心灵审视古老的诗歌,从诗歌内在的规律去把握其艺术特征,提出一些别开生面的诗学命题,并予以精辟的论证。本文选取“诗际幽明”诗学观,予以较全面的探讨,以展示其《诗经》学诗学观的独特意义。若将王夫之《诗经》学“诗际幽明”的诗学观,置于《诗经》学史和中国诗学坐标上去考察,则发现这一诗学观更能揭示《诗经》祭祀诗的功用和艺术特性,对我们进一步研究《诗经》,颇有启发意义。
The so-called “Book of Songs” school poetics, is specifically refers to Wang Fuzhi in the “Book of Songs” used and summed up the poetic theory. He considers the ancient poetry with philosophers ’thoughts, thinkers’ eyes, and literary minds, and grasps its artistic features from the inherent laws of poetry. He puts forward some unique poetic propositions and gives incisive arguments. This article chooses the poetics view of “poetic and secluded” poem, to discuss it more comprehensively, in order to demonstrate the unique significance of poetics view of poem. If Wang Fu’s study of poetics in the Book of Songs and the poetics of “poetic” is placed in the study of the history of the Book of Songs and the coordinate of Chinese poetics, we find that this poetics can reveal the poem Function and artistic features, for our further study of “The Book of Songs,” quite instructive.