与一般外出务工人员相比,云南剑川白族木雕工匠“出门”群体工作生活状况有其自身的特点。在历史中形成并由行业文化决定的集体性出门工作方式,不仅为该种手艺提供了继续生存的空间,也给工匠群体创造了与一般打工者相比较为稳定的工作条件,以及较为安定舒适的环境和一定程度上的尊重。在城市工作中,白族木雕文化资源被转化为文化资本,不仅使这些工匠能够获得更多的经济回报,而且使他们所拥有的工艺文化能够较好地得以续存。最后还强调了保证该工艺续存的现实外部条件的必要性。 Compared with the average migrant workers, Yunnan Jianchuan Bai carpenter “go out ” group working and living conditions have their own characteristics. The collective out-going work style formed in the history and decided by the industry culture not only provided the space for such craftsmanship to survive, but also created more stable working conditions for artisan groups as compared with the average migrant workers, as well as more stable and comfortable The environment and a certain degree of respect. In urban work, the cultural resources of Bai wood carvings were transformed into cultural capital, which not only enabled these artisans to obtain more economic returns but also kept the craft culture owned by them well. Finally, the necessity of guaranteeing the realistic external conditions for the renewal of the process was emphasized.