今天面对众多颜色的陶瓷,我们很容易忽视古代工匠与文人最初的愿望,那些出于本能的愿望实际上包含了文学、美学、哲学等诸多含义。在陶瓷中,釉色与纹饰为装饰的两大手法,前者比后者抽象,表达的内容复杂甚至玄妙。古人实际上一直在摸索,历朝历代所要表达的内容也未必一致,所以让后人兴致盎然。 Faced with many colors of ceramic today, we can easily overlook the original desire of ancient artisans and literati. Those out of instinctive wishes actually contain many meanings of literature, aesthetics and philosophy. In ceramics, glaze and decoration for the two major ways of decoration, the former than the latter abstract, the content of the expression of complex or even mysterious. The ancients actually have been groping for the past dynasties to express the content may not be the same, so so descendants of interest.