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电影诞生的第二十个年头,面对“好莱坞”的强势崛起而本土市场日薄西山的现状,法国人路易·德吕克严厉地批评了法国片,并举起电影“上镜头”理念的大旗,重新唤醒了大众对电影本质的理解,法国电影焕发了新的生机。国内市场,现如今叫座不叫好的现象普遍,艺术质量总体堪忧,华丽的票房数据背后却隐藏着担忧,电影更关注娱乐性,导致了创作愈加偏离本体。新环境下重读路易·德吕克,以期获得新的理解,给予实践和创作新的启示。
In the twentieth year of the birth of the film, in the face of the strong rise of “Hollywood” and the downturn in the domestic market, the Frenchman Louis de Rucker severely criticized the French film and raised the movie “On the lens” concept Of the banner, to re-awaken the public understanding of the nature of the film, the French movie full of new vitality. In the domestic market, nowadays the phenomenon of not calling is good, the overall quality of art is worrying, the hidden behind the gorgeous box office data, the film is more concerned with entertaining, which leads to the creation of more and more deviation from ontology. Under the new circumstances, Louis de Lücker is re-read with a view to gaining a new understanding and giving new inspiration to practice and creation.