影片《瑰宝》立意好,题材新,编导耗费的心血也不少,但就是不能感动观众,对此,谈几点肤浅之见。首先,影片没有深入细致地去揭示人物内在的丰富性和复杂性,往往停留在一般化的外部造型上,旁的不说,仅以“杨建兰张家会子”这场高潮戏和感情戏来讲,若能把人物在这个特定场景中的复杂感情充分地揭示出来,将产生叩人心弦的魅力。可惜影片的处理简单化了。当杨莘莘被国民党兵押出去时,杨建兰发疯似地扑向前去,这种舞台化的大幅度形体动作,看了就叫人很不舒服,结果是杨建兰悲痛欲绝,台下观众无动于衷。其次,解放后的戏没有展开,杨建兰献钟缺乏依据。象杨建兰这样有爱国心,有民族责任感的资本家,为了保护祖国文物而不惜牺牲爱子的生 Film “gem” conception is good, the subject matter is new, director of a lot of effort, but can not move the audience, this, to talk about a few superficial views. First of all, the film does not go deep and meticulously to reveal the inherent richness and complexity of the characters, and often stays in the general external shape. Without regard to the other side, the film only refers to the climax drama and emotional drama of “Yang Jianlan Zhang Jiahui” If you can fully reveal the complex feelings of people in this particular scene, it will have a touching charm. Unfortunately, the handling of the video is simplified. When Yang Xinxin was detained by the Kuomintang troops, Yang Jianlan flushed furiously. This kind of stage-like substantial physical movement was very uncomfortable for people looking at it. As a result, Yang Jianlan was distraught and his audience was indifferent . Second, the liberation of the drama did not start, Yang Jianlan lack of evidence. Like Yang Jianlan such a patriotic heart, a sense of national responsibility of capitalists, in order to protect the heritage of the motherland at the expense of the son of Aiko