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本文注意到周代歌诗演唱方法对诗歌文本的重要影响,进而结合史籍及出土简帛文献,总结出此类现象的一般性规律;重点论述了歌诗的审美特征、文本生成及同章内抒情口吻分化等问题;并运用《仪礼》中的相关记载,以《卷耳》为例,深入探讨了《诗经》作品的特殊文体形式,为《诗经》研究提供了一种具体可行的研究思路。
This article notices the important influence of the method of singing poem on the poem texts in the Zhou dynasty, and then combines the historical records with the books of silk and silk unearthed, summarizes the general rules of such phenomena, and focuses on the aesthetic characteristics, text generation and lyric tone Differentiation and other issues; and using the relevant records in “Ritual”, taking “Ears” as an example, the paper deeply explores the special stylistic forms of the works in the Book of Poetry and provides a concrete and feasible research idea for the study of the Book of Poetry.