郭沫若历史剧创作构思具有怎样的心理特征,有哪些带有规律性的东西可资我们今天的创作进行借鉴,这是一个饶有兴味的研究题目,本文拟作初步的探讨。一据今推古,借古鉴今,将历史感与时代感交织在一起,这是郭洙若历史剧构思的首要特征。马克思曾经指出,剧作家创作历史剧,“使死人复生是为了赞美新的斗争,而不是为了勉强模仿旧的斗争。”郭沫若在构思历史剧时具有明确的指导思想:“我们可以据今推古,亦可 What kind of psychological characteristics does Guo Moruo’s historical play creation conception have? What kind of regular things can be borrowed from our creation today? This is a very interesting research topic. This article is intended to make a preliminary discussion. According to today’s ancient push, by ancient Kam today, the sense of history and the intertwine of the times, which is Guozuo Ruo the first feature of the historical drama concept. Marx once pointed out that the dramatist creates the historical drama and “revives the dead to praise the new struggle, not to barely imitate the old struggle.” Guo Moruo has a clear guiding principle in his historical drama formulation: "We can push ancient times according to present times,