经雅各布森的推介,巴赫金和维果茨基,成为西方热捧的“俄罗斯天才”。相比之下,维果茨基的《艺术心理学》相当受冷落,事实上,这部著作却有极其重要的地位。《艺术心理学》既不是为形式主义寻找证据,也不是为历史诗学开辟新向,更不是为红色理论提供心理支援。维果茨基《艺术心理学》从事的是一种开创性的建树工作,直接面对艺术创作,从具体分析中建立了一套新的研究体系,完成了他自己的学术转向,甚至整个俄罗斯文艺理论、心理学的转向。这一转向也是他人生遭遇转向的谶语。这不仅是正确理解维果茨基及《艺术心理学》的关键,也是研究俄罗斯文艺理论、心理学发展的法门。 By Jakobson’s referral, Bakhtin and Vygotsky, become the Western blitz “Russian genius ”. In contrast, Vygotsky’s “art of psychology” quite neglected, in fact, the book has an extremely important position. “Art psychology” is neither seeking evidence for formalism nor opening up new directions to historical poetics, nor does it provide psychology support for the red theory. Vygotsky’s “art psychology” is engaged in a pioneering work to create a new research system directly from the face of artistic creation, completed his own academic turn, and even the entire Russian Literary theory, the turn of psychology. This turnaround is also a rhetoric of his life’s turnaround. This is not only the key to understanding Vygotsky and “art psychology” correctly, but also the method to study the development of Russian literary theory and psychology.