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赠序是唐代新兴的文体,其源流肇自魏晋,从赠诗附序演变为唱和冠序,迄唐代始定型为无诗徒序,其创作的繁盛与当时祖饯燕集之风的盛行密切相关。如果说唱和冠序不外以纪事为动机,那么徒序则更带有自我表达的功能。在赠序的演进历程中,权德舆的写作占有极为醒目的位置。首先,权氏因长期辗转于幕府、台阁,为中朝风雅主持,遂成为第一位大量写作赠序的作家。他的创作表明,赠序写作首先与职务密切相关。其次,权德舆的赠序在话语和文体两方面都显示出对文体功能的自觉和文章结构的成熟,标志着赠序的定型,从唐代散文史的角度考察具有多方面的意义。
The preface is an emerging style in the Tang Dynasty. Its origins originated from the Wei and Jin dynasties, and evolved from a preface to a song and a crown. The prevalence is closely related. If the rap and the crown sequence but motivated by the Chronicle, then order is more self-expression function. In the evolution of the preferential order, the writing of the right moral occupy a very eye-catching position. First of all, because of long-term rights in the shogunate, Taiwan Pavilion, presided over by the elegant style, became the first author of a large number of writing gifts. His writing shows that gift writing is closely related to his job in the first place. Secondly, the prerogative order of Quan Deyu shows both the self-consciousness of stylistic functions and the structure of the essay in both discourse and style, marking the stereotypes of preferential order. It has many meanings in the perspective of essay history of the Tang Dynasty.