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从1972年开始,新的艺术机构——国务院文化组(后改为文化部)每年都要举办一个全国性的美展,此外还先后举办了《户县农民画展》、《上海、阳泉、旅大工人画展览》(关于这两个展览另有专章评介)。据主要组织者高绵得在一篇文章中介绍,四次全国美展中展出的二千多件作品是从各地区和部队推荐的一万二千八百多件作品中精选出来的。四年里,共接待观众达七百八十多万人次,远远超过了“文化大革命”以前。各国驻华使节、各国专家和来中国进行友好访问的外宾,也参观了展览。从整体上看,这几次展览,每次都有自己的特点。但是,这几次展览最突出的重要特点按高锦得当时的说法是:“帝王将相、才子佳人和一切资产阶级的垃圾被从画面扫除了,无产阶级的英雄形象,革命的新生事物,社会主义革命社会主义建设的伟大胜利是美
Since 1972, a new art institution, the Culture Department of the State Council (later renamed the Ministry of Culture), has organized a nationwide art exhibition each year. In addition, it has also held “Huxian Peasant Art Exhibition”, “Shanghai, Yangquan, Worker Painting Exhibition ”(another special chapter on the two exhibitions). According to an article by the main organizer, Gao Miande, more than 2,000 pieces of works exhibited in four national art exhibitions were selected from over 12,800 works recommended by various regions and units. In the past four years, it has received more than 7.8 million visitors, far exceeding those before the “Cultural Revolution.” Foreign envoys to China, experts from various countries and foreign guests who came to China for a friendly visit also visited the exhibition. Overall, these exhibitions have their own characteristics each time. However, according to Gao Jin, the most prominent important feature of these exhibitions was that at the time, "the emperors, the brilliant women and the bourgeois trash of all the bourgeoisie were wiped out of the picture, the heroic image of the proletariat, the newborn thing in the revolution, The great victory of socialist revolution and socialism is the United States