论文部分内容阅读
叙事距离是叙事学中的重要概念,随着叙事学的不断发展,叙事距离从一种叙事技巧上升为审美维度,渐渐演变为可作多种阐释的支持叙事学发展的目标维度。叙事距离通过对文本的主题、人物、结构和对话的控制,影响文本的审美与解读,在另一层意义上也推进了叙事学自身的指涉与建构;叙事距离对文本的结构控制是显性的,主要体现在叙述者身上,通过叙述者的情感、道德、智力乃至体力各方面表现出来,“空间转向”中叙事学的空间反思直接影响文学与艺术作品的解读;而(隐含)作者、(隐含)读者与文本的复杂关系往往通过叙事距离加以表征,当读者的阅读审美通过某一渠道来加以表达时,这个渠道就是对话。
Narrative distance is an important concept in narratology. With the continuous development of narratology, the narrative distance has risen from a narrative technique to an aesthetic dimension and gradually evolved into a target dimension that supports a variety of interpretations and supports the development of narratology. Narrative distance affects the aesthetic and interpretation of the text through the control of the subject, character, structure and dialogue of the text, and in another sense, it promotes the reference and construction of narratology itself. The narrative distance controls the structure of the text obviously Sex, mainly embodied in the narrator, through the narrator’s emotion, morals, intelligence and even the physical manifestations of various aspects, “space turn ” in the spatial reflection of narratology directly affect the interpretation of literary and artistic works; and (Implied) The complex relationship between the reader and the text is often characterized by the narrative distance, and when the reader’s aesthetic reading is expressed through a certain channel, the channel is the dialogue.