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近年,黑龙江省评剧院精心打造的大型原创现代评剧《半江清澈半江红》,在“第二届中国评剧艺术节”、“第八届中国戏剧节”、“全国地方戏曲优秀剧目评比展演”等赛事中荣获多项大奖,并又在北京国家大剧院隆重上演,得到了戏剧界专家的一致好评,反映强烈,但在这看似繁荣的背后却隐藏着萧条的实质。近百年来,评剧在黑龙江得到了完整的继承和长足的发展,培养了大量观众。然而,新时期以来,由于文化环境的变化,人们审美欣赏的多元化,评剧也同其他戏曲艺术一样受到了很大的冲击,全省专业院团锐减。面对这种状况,黑龙江评剧该如何发展?笔者认为当前主要有三点关键因素制约了黑龙江评剧艺术的发展:首先是整个戏剧文化的大环
In recent years, Heilongjiang Provincial Theater critically acclaimed large-scale original modern Pingju “Half River clear half river”, in the “Second China Pingju Arts Festival”, “Eighth China Theater Festival”, “National Place Drama outstanding drama appraisal show ”and other events won a number of awards, and again grandly staged at the Beijing National Center for Theater, won the praise of experts in the theater, reflecting the strong, but behind the seemingly prosperous but hidden depression substance. In the past century, Pingju has got a complete inheritance and great development in Heilongjiang Province, and has trained a large number of audiences. However, since the new period, due to the change of cultural environment and the diversification of people’s aesthetic appreciation, Pingju Opera has also suffered a great impact as other opera arts. In the face of this situation, how to develop the Pingju opera in Heilongjiang? I believe that there are three key factors that restrict the development of the art of Pingju in Heilongjiang: the first is the grand loop of the entire drama culture