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以“文化知识”为借口,贬斥“工匠”,褒扬“艺术家”,以“工匠”为耻,以“艺术家”为荣,这是关于艺术的一种“文化”偏见。它在表面上似乎是重视“文化”,实质上却是在败坏文化,即在重视“文化知识”的表象下实施“文化素质”的堕落,甚至连“重视‘文化知识’”也只是一个借口,实质上连“文化知识”也并没有得到落实,且不准备加以落实。而是以这个借口来贬斥“文化素质”。我们要想使艺术具有文化,首要的是落实文化素质。有了文化素质,有文化知识更好,没有文化知识也不算大问题。而既有文化素质,又有文化知识的艺术工作者,也决不会有强分“工匠”和“艺术家”、贬斥“工匠”而褒扬“艺术家”的偏见。
Using “cultural knowledge” as an excuse, denigrating “artisans”, praising “artists”, being “artisans” ashamed, and “artists” proud are a “cultural” prejudice about art. On the surface, it seems to have attached importance to “culture,” but in essence it is corrupting the culture, that is, the degeneration of “cultural quality” under the preoccupation with “cultural knowledge” and even “valuing” cultural knowledge “is only an excuse In fact, even ”cultural knowledge“ has not been implemented and is not intended to be implemented. Instead, they use this excuse to denounce the ”cultural quality.“ If we want to make art a culture, the most important thing is to implement the cultural quality. With the cultural quality, better cultural knowledge, no cultural knowledge is not a big problem. Artists who possess both cultural qualities and cultural knowledge will never praise the ”artist“ as ”artisans“ and ”artists“ by denying them as ”artisans".