“中国戏曲的起源可以上溯到原始时代的歌舞。”(张庚、郭汉城《中国戏曲通史》)讲戏曲史,大都从先秦古优、汉代百戏谈起。自秦、汉以来,有关东北少数民族的音乐、歌舞记载已屡见于史籍。《后汉书·东夷传·序》记载:“东夷率皆土著,憙饮酒歌舞……”“东夷”,是我国古代对东北各少数民族的泛称。“憙饮酒歌舞”是东北各少数民族的共同特点了。长春地区的农安,是秦、汉时我国东北少数民族地方政权“扶余国”的都城。扶余族是个能歌善舞的民族。《后汉书· “The origin of Chinese opera can be traced back to the song and dance of the primitive times.” (Zhang Geng and Guo Hancheng, “General History of Chinese Opera”) The history of drama is mostly from the ancient times in the pre-Qin Dynasty and the hundred plays in the Han Dynasty. Since the Qin and Han dynasties, the records of the music, song and dance of northeast ethnic minorities have been found in historical books. “Post Han Dong Yi Chuan” preface: “Dongyi rate are all indigenous, 憙 drinking song and dance ... ...” “Dongyi”, is the ancient name of all minorities in northeast China. “憙 drinking song and dance” is a common feature of all ethnic minorities in the Northeast. Nong’an in Changchun is the capital of the “Fuyu State” in northeastern China under the Qin and Han dynasties. Fuyu family is a song and dance of the nation. "Later Han