磁州窑创烧于宋代早期,在宋末达到鼎盛,金、元、明仍继续烧制,烧造历史悠久,具有很强的生命力,流传下来的遗物也多。宋代早期,磁州窑陶瓷器型较小、釉色单调、装饰手法极为简单。到了宋代中期,磁州窑进入了迅速发展的时期。从装饰技法上看,磁州窑工匠在白化妆土的基础上,又创制和运用了许多新的装饰技法,打破了当时流行的五大名窑的装饰格局,它从民间艺术中汲取营养,获得了旺盛的生命力,创造出白地黑花、 Cizhou kiln burn in the early Song Dynasty, reached its peak at the end of the Song, Jin, Yuan, Ming still continue to burn, burning has a long history, has a strong vitality, handed down many relics. Early Song Dynasty, Cizhou kiln ceramic smaller, monotonous glaze, decoration is extremely simple. In the mid-Song Dynasty, Cizhou kiln entered a period of rapid development. From the decorative techniques point of view, Cizhou kiln craftsmen in the white make-up foundation, but also create and use a lot of new decorative techniques, breaking the popularity of the five famous kiln decoration pattern, which draws from nongovernmental art, access to Strong vitality, to create a white flower black,