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以自由诗为主导的中国新诗其实一直都在努力与艰难地寻求自身形式秩序的建设,每个时代都有不同的发现、追求与建构。在1930年代新诗对形式的探索、实验与尝试中,林庚的新格律诗实验最具代表性。他试图从形式、语言的维度为自由诗重建一个“阵地”而实验新格律诗,在大量的实践、摸索中重新发现了古典诗传统中节奏的魅力,形成了对古典诗传统的再发现。
In fact, the new Chinese poetry dominated by free poems has always struggled hard to find its own form and order, with different discoveries, pursuits and constructions in each age. In the exploration, experiment and attempt of form by new poetry in the 1930s, Lin’s new style poetry experiment is the most representative. He tries to re-establish the new style poem for the free verse from the perspective of form and language, and rediscovers the charm of the rhythm in the classical poem tradition in a great deal of practice and exploration, Find.