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黑格尔(Hegel,1770—1831)是德国古典美学集大成者,是美学理论界的参天大树,在整整一部西方美学史上,他建立的美学体系是无与伦比的(国内有人说康德美学超过了黑格尔,我不同意这种说法)。拿绘画美学来说,虽然他并不作画,可是,在他的三大卷美学巨著中,竟有整整一章(不包括散见于其它章节的言论),约六万字左右,是论述绘画的。事实证明,他并不缺乏绘画美学思想,而且这些思想还相当丰富和深刻,直到今天,其中不少东西依然光采闪耀。这是理论史上的一个奇迹!可见,理论之树并不总是灰色的。在这里,我想对这笔理论财富作一些粗浅的探索,以求教于美学界和美术界。
Hegel (1770-1831), a master of classical aesthetics in Germany, is a towering tree in the field of aesthetic theory. In the history of western aesthetics, he established an aesthetic system that is unparalleled (some people in China say that Kantian aesthetics exceeds Hegel, I do not agree with that.) In painting aesthetics, though he did not paint, there was an entire chapter in his three volumes (excluding those scattered in other chapters), about 60,000 words, which dealt with painting . Facts have proved that he does not lack the aesthetic ideas of painting, and these thoughts are still quite rich and profound. Up to now, many of them are still glittering and shining. This is a miracle in the history of theory! Thus, the tree of theory is not always gray. Here, I would like to make some superficial exploration of the theoretical wealth to seek advice from the aesthetic and artistic communities.