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雷蒙德·威廉斯曾在《漫长的革命》(The Long Revolution)一书中提出“感觉结构”的概念,用以描述社会文化及历史脉络对个人经验的冲击:“对生活在城市的人们来说,某种建筑模式、某样交通工具和某些消费方式……正是这些生活细节提供了感觉结构的原始经验成分。”①如果将这一论说融入对新世纪诗歌的解读,我们或可发现,城市的物质文明使诗人
In his book The Long Revolution, Raymond Williams proposed the concept of “sensory structure” to describe the impact of socio-cultural and historical context on personal experience: “ For the people of the city, a certain mode of construction, certain means of transport, and certain patterns of consumption ... It is these details of life that provide the original empirical components of the sensory structure. ”① If this theory is incorporated into the poetry of the new century Interpretation, we may find that the material civilization of the city makes poets