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随着人类文明的不断进步与发展,西方一些发达国家已率先迈入了后工业时期。后现代主义借此汇集吸收多种文学,艺术流派与哲学思想,逐渐形成了一种庞杂的文化思潮。作为在后工业时期形成的主流思潮,后现代主义所提倡的“反宏大叙事,反权威,反文化,反基础,去中心”无不深刻的影响着人文科学与社会生活的方方面面。与女性主义的结合,使得后现代女性主义诗学掌舵着女性文学发展的航向。尤其,这股强劲的思潮正在左右着女性诗歌的发展,因此这方面的研究具有重要意义。后现代下的女性主义诗学,在女性诗歌中主要体现于两方面:一是女性经验的意象,二是话语的书写方式。
With the continuous progress and development of human civilization, some developed countries in the West have taken the lead in entering the post-industrial period. Postmodernism thus brought together and absorbed many kinds of literature, art genres and philosophical thinking, and gradually formed a complex cultural trend of thought. As the mainstream ideological trend formed in the post-industrial period, postmodernism advocates “anti-grand narrative, anti-authority, anti-culture, anti-foundation, and decency” all influencing all aspects of the humanities and social life. And the combination of feminism, making postmodern feminist poetics at the helm of the development of women’s literature. In particular, this strong trend of thinking is about the development of female poetry, so the research in this area is of great significance. Feminist poetics in postmodernism is mainly embodied in two aspects: the image of female experience and the way of discourse writing.