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孙德民先生编剧、河北承德话剧团演出的《雾蒙山》,说的是20世纪七、八十年代的事,故事简单,线条清晰,讲的是一个新上任的村支书,找到一条村子发展致富的路,但是村民却不肯跟他配合,戏演的是支书如何挨个说服乡亲。于是历史的恩恩怨怨一幕幕被揭开来,戏的真正主题也就一层层被剥出来。张松是文革中的老支书,为了贯彻上级的指示,他把无私发挥到极致:割地主儿子赵大有的资本主义尾巴,政治的紧张和恐怖把赵的媳妇吓得自尽;老搭档大队长韩东丧妻后,与富农的女儿在高粱地里好上了,他把韩东押到各生产队轮流批斗;地主女儿赵华与他的儿子谈恋爱,被他生生扯断,弄得赵华一
Mr. Sun Demin screenwriter, Hebei Chengde Repertory Theater performed “fog Mengshan”, said that the 20th century, the seventies and eighties, the story is simple, clear lines, talking about is a newly appointed village party secretary, to find a village to grow rich However, the villagers refused to cooperate with him. The story was how the party books persuaded the folks one by one. So the scene of the history of grudges was opened, the real theme of the play will be stripped layers. Zhang Song was the eldest secretary of the Cultural Revolution. In order to carry out his instructions from the higher authorities, he gave full play to his selflessness: cutting off the capitalist tail of his landlord, Zhao, and having political tensions and horrors frightened Zhao’s daughter-in- Han Dong funeral wife, and the rich peasants daughter in the sorghum in the good, he took to the production team denounced Han Dong fight; landowner daughter Zhao Hua and his son fall in love, was his life and death snapped, making Zhao China one