少数民族电影,是中国电影百花园中一朵亮丽而独特的奇葩,在中国百年电影史中占据重要位置。其多样的表现形式、优美的乐曲舞蹈、多彩的民族风格、迷人的民俗风情和独特的人物形象等,备受中国观众的喜爱。伴随着新世纪以来中国电影产业的快速发展,原生态少数民族电影的创作数量大幅攀升,愈加精致的图像质感与厚重的人文情怀令其重要性不断凸显。为此,我刊特在第三届北京 Minority movies, a brilliant and unique exotic flower in the Chinese film garden, occupy an important position in the history of Chinese film centuries. Its diverse forms of expression, beautiful music and dance, colorful ethnic style, charming folk customs and unique character images, much like the Chinese audience. With the rapid development of China’s film industry in the new century, the number of original ethnic minority film creations has risen sharply. The increasingly delicate image quality and heavy human sentiment have made it increasingly important. For this reason, I specialize in the third Beijing