赵树理在中国文学经典化过程中的尴尬与遭遇 ,是一个我们所无法忽视的复杂现象 ,它既与中国文艺大众化运动密切相关 ,又牵涉到中国的政治意识形态、知识分子、农民等一系列相关的问题 ,甚至也牵涉到赵树理本身的气质与个性问题。“展览”这一词语几尽表达了赵树理在经典化中进进出出的境遇 ,甚至我们可以说 ,赵树理正是一个被“展览”的经典。 Zhao Shuli’s embarrassment and encounter in the process of Chinese literary classics is a complex phenomenon that we can not ignore. It is closely related to the popularization of Chinese literature and art as well as a series of related issues such as political ideology, intellectuals and peasants in China The issue, and even involve Zhao Shuli own temperament and personality issues. The term “exhibition” almost expresses Zhao Shuli’s entry and exit in the process of canonization. Even we can say that Zhao Shuli is a classic being “exhibited.”