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大赋以铺陈为本,落实于造语用字。赋体文学研究必当基于文字的语用考察,要在四言散语一顺,一于名物铺陈,一于描写铺陈。名物铺陈广致奇异,用字繁难,同旁类聚,排比堆砌。描写铺陈或避重异形,字类繁复,尤在双字联绵本于音义的形变、本于声韵的形义之变,以及转音以变形义,肆加偏旁,繁滋复赘。四言散语一顺铺陈对于大赋用字具有句式规制作用,双字为“词”及四字为句多以单字类合,表现于描写铺陈双字乃至四字并列的声韵和形义关联,不是口语“双音词”的书写记录,而大半出于赋家临文的组字创造,反映字类虚实转化的语用功能。
Da Fu to lay the ground-based implementation of the idioms with words. Fu language literature research must be based on pragmatic study of the text, to be scattered in the Sanshou Shun, a shop in the name of the object, a description of the shop. Named Chan wide to the singular, with the word trouble, with the next type of poly, row than stacked. Depicted to avoid or lay the shape of Chan Shao, word complex, especially in the double word of the deformation of the sound and meaning, the rhyme of the rhythm of the change, and pitch to deformation righteousness, wanton bias, Fanzhu redundant. Sanshou Sanshuanyanju has the role of a sentence-regulating function for the words used in Da Fu. The double word is a “word” and the four words are more words combined in a single word. Metaphysical relevance is not the written record of the spoken words or disyllabic words, but most of them are created from the group words of the author Lin Wen, reflecting the pragmatic function of the transformation of fictitious and real characters.