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闽剧《贬官记》(编剧陈灿霞、黎秀珍、梁中秋,导演李学忠、孔小富、李扬辉,主演黄愿亭)成功地刻画了一个血肉丰满、个性鲜明、意蕴深厚的官吏形象。这一形象,有包公刚直不阿、不惧强权、铁面无私、严于执法的品格,又有唐知县乐观豁达、幽默滑稽、质朴忠厚、情感真挚的情怀;然而,这一形象的价值远非如此。作者还寄寓这个人物形象更深一层的意蕴,那就是对于官本位传统的突破。官本位是我国封建社会传统观念的产物。自古以来,知识分子苦读诗书的目的,就是通过科举考试而做官。做了官,就可以居人之上,可以发财。因而使众多的知识分子,以此为自己的人生价值标准和人生道路。这种几千年来形
Minpan’s “Demoted Officials” (screenwriter Chen Canxia, Li Xiuzhen, Liang Zhongqiu, director Li Xuezhong, Kong Xiaofu, Li Yanghui, starring Huang Yuanting) succeeded in portraying a fleshy, distinctive and profound official image. The image of Bao Zhigong is just, straightforward, fearless of power, selfless and strict in law enforcement. Tang Chihsien is optimistic and optimistic, humorous and funny, simple and sincere, and emotionally sincere. However, the value of this image is far from it. The author also addresses the deeper meaning of this figure, which is a breakthrough in the traditional official-based tradition. Official standard is the product of the traditional concept of feudal society in our country. Since ancient times, the purpose of studying hard poetry books by intellectuals is to go through official exams. To do the official, you can live above, you can make a fortune. So that a large number of intellectuals, as their own values of life and life path. This shape for thousands of years