比较作为一种研究方法 ,被研究者们自觉地应用于对于各种不同对象的解读过程中。比较既可以是两极的 ,也可以是多级的。每个对象在研究者的比较平台中都是至关重要的。王耀华先生著《三弦艺术论》比较成功地以“三弦”作为个案 ,将中日 (琉球 )音乐文化转化为著者建立的比较平台中的两极 ,进行历史的、文化的、种族的、性属的、民俗的深度比较 ,以期走上“家园·区域·全球”之路。 Comparison as a research method, researchers are consciously applied to the interpretation of a variety of different objects in the process. Comparison can be bipolar, it can be multi-level. Each object is of paramount importance to the researcher’s comparative platform. Mr. Wang Yaohua’s “Three-stringed Art Theory” has succeeded in using “Sanxian” as a case to transform the Sino-Japanese music culture into the bipolar in the comparative platform established by the author. The historical, cultural, racial and sexual genres , The depth of folklore, with a view to embark on the “homeland, regional and global” road.