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波斯和中国是亚洲两大图案设计中心。它们各自有着独特的传统,不时也相互发生影响。这种相互影响对促进两国的不断进步起了有益的作用。 人们至今虽然注意较多的是中国艺术对波斯而并非后者对前者的影响,但他们已经提出并承认波斯对唐代艺术影响的某些具体事例。例如:背面为葡萄雄狮图案的青铜镜;周身绘有萨珊朝花纹、骑土或玫瑰花形物的釉陶罐,它们是银制明器的廉价代用品。唐代(618—906)初期便开始有这类器物了。
Persia and China are two major Asian design centers. Each has its own unique tradition that affects each other from time to time. This interaction has played a useful role in promoting the continuous progress of the two countries. Although people pay more attention to the influence of Chinese art on Persia than the latter on the former, they have already proposed and acknowledged certain concrete examples of Persia’s influence on the art of Tang Dynasty. For example: the back of the bronze mirror for the grape lion pattern; the whole body painted Sassanian pattern, riding earth or rose flower pottery, they are silverware cheap substitutes. The beginning of the Tang Dynasty (618-906) began to have such artifacts.