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“力”与“移人”是梁启超美学思想中的两个重要范畴。“力”是指审美对象的多种要素综合转化而来的感染力;“移人”是指审美对象借助力来感染并引发审美主体心灵境界整体变化的过程及结果。“力”与“移人”的范畴是梁启超在中西文化渊源基础上的整合新创。它们确立了将艺术审美与主体心理相联系的基本视点,触及了美影响改造主体的方法特征问题,并就美对人生与社会的介入提出了自己的答案。
“Force” and “relocation” are two important categories in Liang Qichao’s aesthetic thoughts. “Force” refers to the contagious power from the transformation of various elements of the aesthetic object. “Moving away” refers to the process and result of the aesthetic object invaders through the force and initiates the overall change in the spiritual realm of the aesthetic subject. The categories of “force” and “relocation” are Liang Qichao’s integration and innovation based on the origins of Chinese and Western cultures. They established the basic point of view linking art appreciation to subject psychology, touched upon the methodological features of the main influence on the transformation of the United States and provided its own answers to the intervention of the United States in life and society.