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彼得·乌斯蒂诺夫爵士曾说:不幸的是,多梦的代价就是噩梦也将随之增多。如果说,2010年7月及12月深沪两家文化产权交易所推出的艺术品资产包,是将艺术品证券化的门开了一条缝,那么,天津文化艺术品交易所创造出的“艺术品份额化”交易模式,便是用工程炸弹炸开了这扇门。事情已经发生了变化。舆论对于文交所的态度,已经从2010年的“文化对接资本的突破”转变成了“规范失败下的蛋”。
Sir Peter Ustinov once said: Unfortunately, the cost of dreams is that nightmares will increase as well. If we say that the art asset package launched by the two cultural property exchanges in Shenzhen and Shanghai in July and December 2010 opens the door to the securitization of artwork, then the Tianjin Arts and Crafts Exchange has created “Works of art share ” trading model, it is the engineering bomb exploded the door. Things have changed. The attitude of the media to the Exchange has shifted from “a breakthrough in the capital matchmaking” in 2010 to an “egg failure under the norm.”