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武氏祠汉画像石生动形象地再现了汉代人民的社会生活,留下了汉人文化积蕴的缩影。古往今来研究武氏祠画像石的著述颇多,而着意于其造型语言的研究却鲜见。作者尝试透过此角度阐述己见,着墨于武氏祠汉画像石方圆相济的造型与其儒家文化的方圆智慧,阐释武氏祠汉画像石中对方圆的内在含义体现和外在形式表达,并把形式与内容和谐统一起来,从而形成对儒教形神兼备的表述。
Wu Shizi Han portraits vividly reproduced the Han people’s social life, leaving a microcosm of the Han culture. Since ancient times, research Wu Shizi portrait stone quite a lot, but the intention of its stylistic language research is rare. Through this perspective, the author attempts to elaborate on the wisdom and wisdom of Confucianism in Wu Shizi’s Han portraits and the radius wisdom of Confucian culture, and expounds the inner meaning expression and external form expression of the radius in the stone of the Han Dynasty Harmonization of form and content, so as to form an expression of Confucianism.