在对诗人张志民进行专论的文章中,高洪波的一篇《擂鼓的诗人——张志民论》是我感觉写得很透彻的一篇。它不仅回顾了诗人从战争年代到建设年代的创作经历,还将抒情者从“极左”政治时代到新时期的创作思想和诗歌精神进行了深入估衡。高洪波用“擂鼓”这个动词定格张志民的诗歌写作,应当说是恰切的,如同诗人的《自题小照》中“扛的是枪,/揣的是爱!”的两句,使人感受到充盈着的豪迈 In his essay on the poet Zhang Zhimin’s monograph, Gao Hongbo’s “Leigu poet-Zhang Zhimin’s Theory” is a very thorough one written by me. It reviews not only the poets ’writing experience from the war years to the construction years, but also makes an in-depth assessment of the lyricists’ creative thinking and poetic spirit from the political era of “left-leaning ” to the new era. Gao Hongbo used the verb “Leigu” to freeze Zhang Zhimin’s poetry writing, which should be said to be correct, as the poet’s “self-titled photo” contains “gun, / hides love!” Two sentences, people feel filled with the heroic