论文部分内容阅读
世界舞蹈日的第二天,仍在五一假期中。把看演出当“工作”的我,原本想:品上一台民族芭蕾《西施》,也算“工作”中的休息吧!因为欣赏中国的民族舞剧向来是不大费神的,就像好莱坞编剧教父麦基评价中国电影时说,我们不少故事“特别情绪化,比如爱就是最纯洁的爱,最高贵的事情就是自我牺牲,最伟大的事情就是成为英雄”~[1],很多民族舞剧的叙事更是经不起推敲,更何况有的作品简直就是“哑剧+煽情双人舞和表演群舞的串联”。就这样带着一份休闲的心情来到了国家大
The second day of World Dance Day, still during the May Day holiday. When I look at the performance as a “work,” I originally thought: Having a national ballet “Shih Tzu” on a product is also a resting point in “Work.” Because appreciating China’s national ballet has always been tedious, Just as the Hollywood screenwriter McGee evaluated Chinese films, many of our stories are “particularly emotional, such as love is the purest love, the noblest thing is self-sacrifice, and the greatest thing is becoming a hero.” [ 1], many national ballet narratives can not withstand scrutiny, not to mention some works simply is “mime + sensational double dance and show group dance series ”. So with a relaxed mood came to the country