在这个经济日益一体化而文化却力求多样化的时代,外来文化的冲击导致中国社会的心态不知不觉中完成了由中心向边缘的转化。本文通过对新时期美术边缘心态的形成,社会角色中的边缘取向,以及地缘文化中的边缘选择等的分析,就中国艺术向何处去这个问题,提出了自己的观点。 In this era of increasingly integrated economy and diversified culture, the impact of foreign cultures has led to the unconscious completion of the transformation from the center to the periphery of the mentality of Chinese society. This article puts forward my point of view on where Chinese art should go by analyzing the formation of psychology of art margins in the new era, the marginal orientation in social roles, and the marginalization in geo-culture.