叔本华认为悲悼剧是戏剧的高级发展阶段,悲悼剧高于古希腊悲剧。本雅明认同叔本华的观点,但认为罗森茨威格的表述更接近悲悼剧这种戏剧新范式的本质:戏剧主角由传统英雄变为沉默者、怀疑者、反思者,戏剧的美感由崇高变为滑稽,戏剧的结局由调和变为救赎。 Schopenhauer believes that mourn drama is the advanced stage of drama, mourn drama higher than the ancient Greek tragedy. Benjamin agrees with Schopenhauer’s view, but holds the view that Rosenzweig’s expression is closer to the nature of the new paradigm of drama: the change of protagonist from traditional hero to silent, skeptic, reflective and dramatic Sublime becomes funny, the drama’s ending from reconciliation into salvation.