“赵本山现象”已经持续了二十几年,且方兴未艾;赵本山现象的主要特征是在戏剧整体滑坡不景气时,赵本山的小品(也包括电视剧)却独领风骚,从东北轰动到全国;受到大众的热烈欢迎,拥有最广泛的观众群(迷)。这既是现代京剧(也包括其他戏剧)所不能望其项背的,也是当年梅派当红时所无法比拟的。这不是说“梅”低“赵”高,而是说赵本山戏剧文化现象的重大。重大的文化现象背后肯定隐藏着决定着它的文化秘密,只有揭示出这种文化秘密,才能 The “Zhao Benshan Phenomenon” has lasted for more than 20 years and is in the ascendant; the main feature of the Zhao Benshan phenomenon is that Zhao Benshan’s skit (also including the TV drama) is dominated by the drama in the slump of the drama as a whole, A warm welcome, with the broadest audience (fans). This is both modern Beijing Opera (also including other plays) can not see the difference, but also when the plum school unmatched. This is not to say that “Mei” low “Zhao” high, but that the dramatic cultural phenomenon of Zhao Benshan major. Behind the major cultural phenomenon is certainly hidden behind the cultural secrets that determine it, only to reveal this cultural secret, to